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The cornerstone of the Spartan state was its celebrated constitution,
traditionally attributed to a lawgiver called Lycurgus. Sparta's
institutions were unique in the ancient world. Its class structure had
ethnic and aristocratic origins: only descendants of the founder
warriors had full citizenship status.

The political structure was
simple, it was headed by two kings who were supervised by Ephors and who received advise from
a council of elder (Gerousia) and
from a public assembly comprised of citizens aged over thirty (Apella). Non
citizens in Sparta were either Perioikoi
or
Helots. The
Perioikoi were free
men who, although they did not have the rights of citizens, were allowed
to trade, and serve in the army. Helots were the descendants of the
original inhabitants of the area. They farmed the land and did all the
heavy work for their Spartan overlords.

Sparta is a city with along
history and with a modern municipality. The Municipality of Sparta is
the capital of the Laconia prefecture with a population of 20.000
inhabitants. With an excellent city plan Sparta stands on the side of
the ancient city built by the decree of 1834 signed by King Otto and
designed by Staufehrt. The plan followed the Ippodamean example of wide
avenues and big squares and was designed for 100.000 inhabitants. The
economy of the city is based on agricultural production and tourism. It
is surrounded by ancient sites and the centre of the city is crowned
with many neoclassical buildings and monuments. Do not miss to visit the
Archaeological Museum and the unique Museum of
Olive and Greek Olive oil
in Sparta.

ARCHAEOLOGICAL MUSEUM:
The museum was established in 1874, in a building designed by the Greek
architect Katsaros. The most important items of the museum are: Stele depicting
couple of figures in relief, on both sides. On the one side perhaps
there is the representation of Menelaus with Helen and on the other
Agamemnon with Clytemnestra, dated to the end of the 6th century. Statue of Hoplitodromos
(running Hoplite) with helmet of Attic type. It has been argued that the
statue of a Spartan hoplite, the best known of the very few surviving
Laconian sculptures portrays King Leonidas, leader of the Three
Hundred warriors who fell heroically fighting against the Persians at
Thermopile in 480 BC.
According to another view, it represents Pausanias, victor of the battle
of Plataeae, or even a competitor in a race for armed runners It was found in the temple Of Athena Chalkioikos at the acropolis of Sparta. It preserves the upper part of
the body but hands are missing. It is dated to the second quarter of the
5th century BC.

Excavations began at the
end of last century under the guidance of American and Greek
archaeologists while since 1905 digging has been carried out by the
British Archaeological school of Athens. New excavations have begun five
years ago, mainly at the area of the theatre and the shops. The most
important monuments of the side are:
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The temple of Athena Chalkiokos,
goddess and protector's of Sparta, on the top
of the Acropolis is defined more by some indications from the excavation
rather than by the architectural ruins themselves. |
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The temple which was
constructed on the plans of the architect Vathykles from
Magnesia and Gitiadas the very talented Spartan poet and
sculptor, decorated the Temple with bronze plates. |
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The ancient theatre of Sparta is on the southern side of the
Acropolis of Sparta.. We do not know whether there was a theatre on this
site in archaic times, if there was a structure of some kind, it would have
been wooden, or the natural form of the slope itself may have served the
purpose, as it did for contemporary Athenians as the theatre of Dionysus. |
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There was definitely a
structure there later on, in classical times, as
Herodotus mentions it in connection with events taking place in
465 BC.
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The stone theatre that we see
today was built in Hellenistic times (1st century BC). Slightly
later, in the time of Augustus, Eurycles,
the wealthy Spartan who was a personal friend of the Emperor and had close
ties with Rome, presented the town with a new marble stage as well as other
gifts. |
The
Emperor Vespasianus (AD 69-79) had donated another, larger and
more splendid stage - one that, with a few modifications, was to remain in
use until the end of ancient times, until the reign of Emperor
Theodosius (AD 379-395). When a study wall was built round the
acropolis of Sparta at the end of 3rd century AD to help it withstand Heruli
raids, the theatre was included in the citadel and may have continued to
function for a time. |
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